• D16 Group Lush 101

D16 Group Audio Software LuSH-101 v1.1.2 Win: 176 Mb Mac: 96 Mb Team R2R The only synthesizer you need. LuSH-101 is a synthesizer created from modules that can be found in many modern virtual synthesizers, all combined into a single compact and logically intuitive design. However, this basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential. The multilayer architecture guarantees that both the sound design possibilities and number of unique situations in which LuSH-101 can be used are virtually limitless. Layered sounds can be created simply by assigning the layers to the same MIDI channel; the results can sound as massive as anything imaginable! Assigning the layers to different keyboard zones allows you to create even the most sophisticated splits. Of course, you can always assign the various layers to different MIDI channels for 8-part multitimbral usage.

Dec 26, 2017  D16 Lush 101 Keygen Crack. 0 Comments D16 Group LusH-101 Review D16’s LuSH-101 isn’t exactly a new kid on the block. But neither was Roland’s SH-101 when D16 released their virtual emulation of the hardware classic two years ago. So now that the dust has settled and the hype has died down, and with the recent version 1.1.3. Hi Craig, Everybodys home:) ( from Mon to Fri between 9:00 - 16:00 CET:) ). We've been trying to contact you for a long long time, you should definitely check out your antispam filter settings, spam/junk folders or contact your email box provider. We've been sending emails from few different servers in our. D16 Lush 101 Keygen Generator. 9/10/2018 0 Comments Do not request or provide cracks, licenses, keygens or enable other illegal activity. Include a description of what the torrent is.

And, virtually any combination of splits, layers, and multitimbrality is possible with just a single instance of LuSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arpeggiator, and a palette of only the finest insert effects, LuSH-101 can push your creativity to unprecedented levels! Want to express yourself even more?

In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator’s MIDI output can be used as a modulation source, unleashing your creativity to build complex sequences and progressions. LuSH also comes complete with a powerful built in mixer, complete with layer-independent parametric equalizers and compressors. Three send effects in superb quality allow you to put the finishing touches on the final output. LuSH plays perfectly in any genre. For funkier styles, the Gate may be used instead of the VCA for instant staccato sounds full of energy and rhythmic pep. When creating Ambient or Chillout, longer attack and release times along with the smooth, rich spaciousness of the built-in reverb are enough to satisfy even the most ardent purists.

Is Dubstep or Drum & Bass more your thing? Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead to the sickest, nastiest, and most novel vibrations–your sound system won’t know what hit it (and you won’t, either), so watch out! No matter what you want to play or how you want to use it, LuSH will get the job done. Platform: WiN32 – VST, WiN64 – VST, MacOSX – AU/VST D16.Group.Audio.Software.LuSH-101.v1.1.2.Incl.Keygen-R2R D16.Group.Audio.Software.LuSH-101.v1.1.2.MacOSX.Incl.Keygen-R2R Download uploaded win: MacOSX: Download rapidgator win: MacOSX: Download nitroflare win: MacOSX: Download 城通网盘 win: MacOSX: Download 百度云.

D16 Group LusH-101 Review D16’s LuSH-101 isn’t exactly a new kid on the block. But neither was Roland’s SH-101 when D16 released their virtual emulation of the hardware classic two years ago. So now that the dust has settled and the hype has died down, and with the recent version 1.1.3 update, I decided now was as good a time as any to look into how D16’s homage has faired since it’s release. The Meat At the heart of LuSH-101, you will find four oscillators.

A PWM, a Sawtooth, a Sub oscillator with a five switchable wave types and a Noise oscillator with three switchable noise types. The four oscillators appear in the Plugin’s Source Mixer, each with its own dedicated fader allowing you to mix them up til your heart’s content and achieve some pretty fat sounds off the bat. In the Source Mixer, you will also find a Supersaw button which, when switched on, does exactly what it says on the tin. This little beauty comes with two faders, one for detuning and one for amplitude. To the left of the Source Mixer is a section labeled Pulse which allows for control over the width and modulation of the PWM. The main GUI also contains two Envelopes and two LFOs, two Filters, a Pitch Modulation and Hard Sync section, a Voices section which gives you control over polyphony and unison (this is maxed out at 32 voices so if you have 16 voice unison you can only have 2 note polyphony), an Insert slot which gives you the choice of 8 different effects, and finally an Arpeggio/Gater. And for those of you that took the red pill and bought their computer from Morpheus, LuSH-101 contains 8 instances of this synth for you to layer on top of one-another!

The Two Veg For me. The stars of the show are the two filters. LuSH-101 gives us a Hi-pass and a multi-mode resonant filter (LP, BP and HP) which are connected in serial. The multi-mode comes in two different flavors: ‘Normal’ which sounds super sharp and pristinely clean, and ‘SH-101’ which gives you a warmer and creamier filter sweep. The Hi-Pass is a passive-modelled-on-an-RC-analogue-filter type of affair.

Both filters sound amazing whatever the weather and are almost worth the price tag alone. In fact, I would definitely pay good money to have them in a stand-alone effect. Sort it out D16 and I will be forever in your debt. You can also use the two envelopes and two LFOs to modulate the filter cut-off either individually or all at the same time which kind of hurts my head to think about but can garner some fine sounding results with very little effort. Yeah, so you really can’t leave the modulators out of your Filter Plugin D16! The Gravy Away from the main synthesizer’s GUI is the Modulation Matrix. This is both simple and intuitive in design and practice.

It allows you to modulate most, if not all, parameters within the synth using in-coming MIDI events. A nice little addition in here is the ability to use LuSH-101’s rather brilliant Arpeggio’s Gate and Tie as source modulators. This can quite easily result in some nifty movin’ n groovin’ modulations yo, even for an arp shy/doubter like myself. The only thing I don’t like about the Mod Matrix is the fact that you can only apply either a negative or a positive value by which the source affects the destination – which always starts from zero.

It would be nice to be able to select a range that spans either side of zero where you are modulating the filter with note velocity, for example. Or maybe I am just nit-picking. Or talking nonsense. Child play full movie watch online. But I’m sure that could be done. The Taste Test So how does LuSH-101 stack up against its competition in 2015 In the author’s humble opinion? Well, the only other SH-101 emulation that I know of is the TAL-Bassline-101 which, although performs reasonably for its price (about 1/3 of what LuSH sells for), is a monophonic synth and sounds in no way as sweet on the bottom end as LuSH. But like most things in life you get what you pay for.

D16 Group Lush 101

So maybe not a fair comparison then. Therefore LuSH’s real competition comes from other big hitting analog emulations. Yeah, I’m looking at you Diva by u-he. And you individual components of Arturia’s V collection 4. Let’s start with the latter.

Well, the individual synths in the V collection 4 can be purchased at a slightly lower price than LuSH and to my ears do not sound as rich in comparison. But they are significantly less CPU intensive and most of them come with Arturia’s genius Sound Map feature which make creating your own unique patches a breeze. So pros and cons for sure. And as for Diva, well that bad boy (or should that be a girl?) does sound a wee bit fatter than LuSH-101 but at a cost.

I don’t think my i7 could handle 32 note polyphony in Diva without its head exploding. And Diva may come with two insert effect slots but it only has five effects to choose from in comparison to Lush-101’s eight. LuSH also has three high quality and very tweakable send effects accessible via the Mixer page. But with its mix and match component set up, Diva has an arguably broader sonic palette, though. Again pros and cons But neither the Arturia synths nor Diva are SH-101 emulations and, so by design, sound completely different. Rather than sitting on the fence about which is the mightiest here I feel like I’m not really comparing apples with apples. They all have their own unique sounds and workflows and at the end of the day, which is best for you depends entirely on your own end goal.

LuSH-101’s slightly overkill eight layer option does set this emu apart from the crowd though. Conclusion In conclusion, I have to conclude that D16’s LuSH-101 has and can still hold it’s own in today’s rapid and exponentially growing soft synth market. It comes packaged with a generous serving of tasty presets to whet your appetite maybe I hadn’t completely ran out of food related metaphors after all and for even the most novice of sound designers, like myself, it is pretty straight forward to create your own rather satisfying patches from scratch.

I don’t know if I can fully justify the developer’s claim that this is the only synthesizer you need, but it is definitely a must have for anybody who wants those virtual analog sounds without those actual analog pains. Download / Buy.